hankyeol lee

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<channel>
	<title>hankyeol lee</title>
	<link>https://hello.hankyeollee.com</link>
	<description>hankyeol lee</description>
	<pubDate>Wed, 15 Feb 2023 17:28:20 +0000</pubDate>
	<generator>https://hello.hankyeollee.com</generator>
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		<title>Homepage</title>
				
		<link>https://hello.hankyeollee.com/Homepage</link>

		<pubDate>Tue, 20 Dec 2022 22:42:35 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

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		<description>

  
hi.
    

my name is hankyeol lee.
  	but you can call me hanky.


    i shoot photos. and make movies.
    

    say hi back ;)
    

    or maybe you want to see what others have said first.


</description>
		
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	<item>
		<title>but you can call me hanky.</title>
				
		<link>https://hello.hankyeollee.com/but-you-can-call-me-hanky</link>

		<pubDate>Mon, 06 Feb 2023 14:08:04 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

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		<description>


       	hi. i’m hankyeol lee.
		
    
        but you can call me hanky.
        
    
        i am a south korean / south african multidisciplinary artist and filmmaker, based in johannesburg, south africa. 
        
            
i am fascinated by joints and the poetry of adhesion and cohesion; the way that things connect. in this regard, i believe in art as a collaborative medium - to collaborate spatio-temporally, with different realities - internal and external, with other artists, with the subjects. and so, collaboration and skillshare are essential components of my work as a director, cinematographer, editor, photographer and artist.as an artist who exists within and navigates the liminal space between identity, race and citizenship, i am particularly intrigued by topics of migration, fractured identity and belonging. more importantly, story and art as a connecting bridge, that touches the internal and external, the liminal and the central, the old and the new.

	i shoot photos.
and make movies.
        

my filmography includes MILISUTHANDO (2023 - editor and cinematographer), my first feature-length documentary working with first-time director and writer, Milisuthando Bongela, which premiered at the 2023 Sundance Festival as a contender in the world cinema documentary category. set in past, present, and future south africa — MILISUTHANDO is an invitation into a poetic, memory-driven exploration of love, intimacy, race, and belonging by Milisuthando Bongela, who grew up during apartheid but didn't know it was happening until it was over.
        I WANT TO SEE FOR MYSELF (2019 - editor and cinematographer),&#38;nbsp;a short documentary about the complex legacy of tennis hero, Arthur Ashe, and the tennis centre he erected in soweto, south africa at the height of apartheid.
        BROR (2015 - director), a short documentary about two 80-year old brothers, facing life and death together, in the isolated village of porkkala, finland.
        i am a graduate of the university of the witwatersrand, and have also lectured cinematography at the wits school of film and tv.
         
         
        say hi back ;)
    
    
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	<item>
		<title>say hi back ;)</title>
				
		<link>https://hello.hankyeollee.com/say-hi-back</link>

		<pubDate>Mon, 06 Feb 2023 14:04:26 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

		<guid isPermaLink="true">https://hello.hankyeollee.com/say-hi-back</guid>

		<description>
	
    come say hi back ;)
    hello@hankyeollee.com
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	<item>
		<title>press</title>
				
		<link>https://hello.hankyeollee.com/press</link>

		<pubDate>Tue, 07 Feb 2023 12:51:00 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

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		<description>

	
    		press
    	
    
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	<item>
		<title>what others have said</title>
				
		<link>https://hello.hankyeollee.com/what-others-have-said-2</link>

		<pubDate>Tue, 07 Feb 2023 13:31:40 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

		<guid isPermaLink="true">https://hello.hankyeollee.com/what-others-have-said-2</guid>

		<description>

	
    		filmmaker magazine &#124; “milisuthando” sundance 2023 interviews:
            
            →&#38;nbsp;“We Would Light a Candle and Some Impepho at the Start of the Work Day”: Editor Hankyeol Lee on Milisuthando
→ “The Sociohistorical Significance of a Black African Woman Holding the Camera in Her Hands”: DP Hankyeol Lee on Milisuthando

	
    		“milisuthando” reviews:
            
            → guy lodge, variety magazine: ‘Milisuthando’ Review: A Child of Apartheid Reflects on a South Africa Still in Transition“Brilliantly edited by Hankyeol Lee (who, as DP, also contributes some of the film’s most striking imagery of bleached skies and parched landscapes) to a swirling, immersive rhythm that audaciously connotes the sell of political propaganda, this formal centerpiece cues a less lyrical, more plainspoken reflection on the growing pains of post-apartheid South Africa.”→ vadim rizov, filmmaker magazine:&#38;nbsp;Sundance 2023: 5 Seasons of Revolution, My Animal, Selected Shorts, The Tuba Thieves and Milisuthando“As it was, my festival feature highlight (I am trying to close with optimism) was Milisuthando, the debut feature by Milisuthando Bongela. [...] Nearly two hours, Milisuthando is a sprawl, but the only one of the festival I found legitimately unpredictable start-to-finish.”

→ robert daniels, rogerebert.com:&#38;nbsp;Sundance 2023: Fantastic Machine, Milithusando, The Eternal Memory
“Eloquently shot and sharply edited by Hankyeol Lee, Bongela’s “Milisuthando” is thematically shocking and emotionally unflinching [...] “Milisuthando” intertwines the inequities of Bongela's personal past with the systemic shortcomings they were forged in and wields a sledgehammer against history.”→ lovia gyarkye, the hollywood reporter:&#38;nbsp;‘Milisuthando’ Review: Poetic Meditations on a Complicated South African History
“Under Bongela’s direction, memories are pliant forces. They stretch into the past, haunt the present and creep into the future. [...] In exceptional fashion, Bongela and DP and editor Hankyeol Lee stitch together and enhance archival footage to map this history. [...]&#38;nbsp;Milisuthando is an ambitious project that forthrightly navigates the tangled mess we call identities, trying to honor their multiplicity without succumbing to pretension. It can be dense and overwhelming at times, as the film, running more than two hours long, swirls around histories, painful truths, impressive revelations and Bongela’s poetic meditations.”
→ k. austin collins, rolling stone:&#38;nbsp;12 Best Films and Performances of Sundance 2023
“Milisuthando Bongela’s inward-looking, historically adept documentary may be — alongside Raven Jackson’s All Dirt Roads Taste of Salt — the single best film of the entire festival. Milisuthando not only challenges us to know and remember: it reminds us that we are inseparable from our histories.”→ pat mullen, pov magazine:&#38;nbsp;2023 Sundance Film Festival Report on Docs
“For my money, though, the standout documentary of Sundance is Milisuthando Bongela’s World Cinema competition title Milisuthando in a runaway. This dextrously layered essay film examines identity and apartheid through a deeply personal lens. In terms of aesthetics, scope, and ambition, nothing else on Sundance’s documentary front matched it. Milisuthando stood out as a distinctive feat of auteur cinema and should enjoy a strong run on the festival circuit. In addition to delivering a probing and complex interrogation of identity and belonging, Milisuthando marked one of Sundance’s notable works for advancing one’s idea of what documentary can be.”→ pat mullen, pov magazine:&#38;nbsp;Milisuthando Review: Radical Decolonial Cinema
“This exhilarating auteur film by Milisuthando Bongela heralds the most distinctive voice in competition this year. This years-in-the-making film is aesthetically rigorous and thematically ambitious. [...] Bongela creates a radical form of decolonial cinema that shatters all the rules. Formally, Milisuthando is a kaleidoscopic essay film in the fashion of Sans Soleil and A Night of Knowing Nothing, and like those film’s it’s a hypnotic journey through media and memory.”
→ stephen saito, the moveable fest:&#38;nbsp;Sundance 2023 Review: A Divided Land Creates a Conflicted Mind in the Emotionally Rich “Milisuthando”
“With editor and cinematographer Hankyeol Lee, Bongela magnificently reconstructs her own consciousness of these events as a puzzle that is likely to always have a missing piece yet the jagged edges fit in unexpected ways, blending the past and present and her personal archives against the full sweep of South African history.”
→ alissa wilkinson, vox: 17 movies to watch out for in 2023
“One of the most formally daring documentaries of the year [...] The formal experimentation of the film is entrancing and dreamlike, feeling out the borders that our communities build for us and complicating narratives about race and oppression in modernity.”
→ christine jean-baptiste, elle:&#38;nbsp;The Best Sundance Films to Put on Your Radar This Year
“To be invited into this piece of uncovered history is a privilege. Milisuthando is full of brilliance, thought, and heart. Bongela is one to keep on your radar.”→ shane slater, awards radar: Sundance Film Festival Review: ‘Milisuthando’ Profoundly Reckons with the Legacy of Apartheid South Africa
“Milisuthando is truly a multi-faceted account of the lasting legacy of apartheid in South Africa. Though it’s billed as a personal essay, it feels more monumental than that. Rather, it’s a profound work of art that evokes the essence of a nation through its people and the ever-shifting social structures that moulded them.”→ 🎧 nicolas rapold &#38;amp; eric hynes, the last thing i saw podcast:&#38;nbsp;Ep. 156: Sundance 2023 One with Eric Hynes
&#38;nbsp;&#38;nbsp; 29:32 - 36:25“It’s a movie that grows before your eyes [...] This movie is like a living thing.”&#38;nbsp;

→ 🎧 aisha harris, npr pop culture happy hour podcast: Highlights from the 2023 Sundance Film Festival“it's really hard to describe. It's kind of a personal essay set to really arresting images, a very personal essay.”


    		hakopike magazine &#124; photography interview:

→ Hankyeol Lee - On Tactility and Happy Accidents
    	
    
    		music video coverage:→ post-punk:&#38;nbsp;Lucy Kruger and The Lost Boys Sleepwalk into Cool Berlin Lakewaters in “Digging A Hole”

→ afropunk: Sio Gets Gorgeously Arty On “Place To Run” Video
→ texx and the city: Bye Beneco’s New Video for “Baby I’m Gold” is a Captivating ’80s-inspired Fever Dream→ texx and the city: You’ll Want Bye Beneco As Your Valentine After You Watch “I’m Not The One”

 
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	<item>
		<title>i shoot photos</title>
				
		<link>https://hello.hankyeollee.com/i-shoot-photos</link>

		<pubDate>Mon, 06 Feb 2023 23:21:51 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

		<guid isPermaLink="true">https://hello.hankyeollee.com/i-shoot-photos</guid>

		<description>
	i shoot photos.


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	<item>
		<title>en train de...</title>
				
		<link>https://hello.hankyeollee.com/en-train-de</link>

		<pubDate>Tue, 20 Dec 2022 22:44:48 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

		<guid isPermaLink="true">https://hello.hankyeollee.com/en-train-de</guid>

		<description>
	en train de... (glimpses on a moving train)
	a photoseries shot between 2018-2019, of the liminal space in trains across europe, south africa and south korea. partially exhibited as part of&#38;nbsp;SHUTTERLAND (2023), curated by Marnus Strydom, in association with Lizamore &#38;amp; Associates and FirstRand.


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		<title>i don't know how to landscape.</title>
				
		<link>https://hello.hankyeollee.com/i-don-t-know-how-to-landscape</link>

		<pubDate>Tue, 20 Dec 2022 22:44:47 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

		<guid isPermaLink="true">https://hello.hankyeollee.com/i-don-t-know-how-to-landscape</guid>

		<description>
	i don’t know how to landscape.
	after several frustrated years of mostly portraiture, i grew bored of shooting what i was most familiar with: human faces. i craved to find and capture a different kind of beauty - a beauty that felt more elusive, and yet more present. captured between 2018-2019 as i travelled around south africa and europe.
	

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		<title>i don't know how to street</title>
				
		<link>https://hello.hankyeollee.com/i-don-t-know-how-to-street</link>

		<pubDate>Wed, 15 Feb 2023 17:28:20 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

		<guid isPermaLink="true">https://hello.hankyeollee.com/i-don-t-know-how-to-street</guid>

		<description>
	i don’t know how to street.
	the next challenge after I DON’T KNOW HOW TO LANDSCAPE was to go to the streets, in search of the inner flaneur.
	

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		</description>
		
	</item>
		
		
	<item>
		<title>women, with love.</title>
				
		<link>https://hello.hankyeollee.com/women-with-love</link>

		<pubDate>Tue, 20 Dec 2022 22:44:47 +0000</pubDate>

		<dc:creator>hankyeol lee</dc:creator>

		<guid isPermaLink="true">https://hello.hankyeollee.com/women-with-love</guid>

		<description>
	portraits of women, with love.


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